Giselle is one of the most influential of all Romantic ballets, and one of the greatest and most popular works of the dance canon and of The Royal Ballet ’s repertory.
The title role presents the transcendental power of a woman’s love in the face of betrayal and is one of the most technically demanding and emotionally challenging roles in classical dance – not surprisingly, it is here a great showcase for the leading ballerinas of the Company. Peter Wright ’s sensitive staging in the atmospheric designs by John Macfarlane heightens the contrast as the story moves between the human and supernatural worlds.
The peasant girl Giselle is driven to kill herself when she discovers that her youthful lover ‘Loys’ is in reality Count Albrecht, and not free to marry her. She rises from the dead to prey on the man who has betrayed her. But as Albrecht, repenting, visits her moonlit grave, Giselle protects him from the deathly touch of her phantom sisters until the dawn sees him safe once more.
The passion and drama of the tale combined with the beauty of its choreography have made Giselle as instantly appealing for newcomers to ballet as it is to those already under its spell.
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"Michael Ball and Imelda Staunton hit the West End in Sweeney Todd as the deliciously demonic double act, this show really is a cut above the rest."
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London Coliseum
