Marguerite Reviews

Andrew from London

POWERFUL MUSICAL, OUTSTANDING PERFORMANCES

We saw Marguerite on the opening Saturday and thought that the show was tremendous. It is not for all tastes, and when the curtain comes down don't expect the obligatory 15 minute show medley, that's for sure! The material is profound, and I would feel uncomfortable taking under 15s to see it as it explores some ugly human traits brought out by the pressures of war, occupation and survival. But for a mature audience it is a moving experience, beautifully written and extremely well performed. Ruthie Hensall plays the role of Marguerite with tremendous strength and control, and didn't miss a note or lyric despite the challenges of the role. Julian Ovenden was very strong - but as we were sitting in the front row, we just got sprayed whenever he sang! But it was worth it as his voice is tremendous. Alexander Hanson was convincing as the German officer and the ensemble cast were very polished. Definately worth seeing.

Val Stephens from Abergavenny S Wales

"MUSICAL" BEING THE OPERATIVE WORD!!

Went to see Marguerite June 20th. Just loved the fact that the 5 main characters could all sing really well, which sadly is not always the case, even in West End musicals these days!!! Have always been a fan of Ruthie and again, she did not disappoint. Yes, I would recommend it to anyone wanting to see it in NYC. Royal Circle seats were great. Would take mother (if she were still alive) but not children. Can't afford Royal Circle AND London restaurant prices in the same evening!!!

Martin from New York

HAVE ARMAND AND MARGUERITE EVER MET?

Saw Marguerite yesterday and found it sexless, charmless, and leaden. The lyrics are of the Moon/June variety, and the book has embarrassingly lame dialogue. The Camille/Marguerite Gauthier story now changes the teenage heroine into an almost over the hill chanteuse. She is living with a Nazi officer for cash because she thinks she has to survive. So no choice involved. And we also have to deal with the persecution of Jews by occupied France - all this set to music that sounds like it was written for something else - lets say a French film in 1972. Most importantly, Ms Henshall sets off no sparks of sexuality, and there is no chemistry whatsoever between her and her two leading men. A dismal evening to which the punters respond with applause. Go figure.

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