So long, farewell! Hamlet finished at Harold Pinter Theatre on October 2, 2017

Hamlet

Hamlet at Harold Pinter Theatre

So long, farewell! Hamlet finished at Harold Pinter Theatre on October 2, 2017

Why see Hamlet?

to see or not to see

It is a truth universally acknowledged that any actor worth their salt will eventually tackle the Dane. One of the world's most recognisable plays, Hamlet allows the player the chance to explore the true depths of their performance. Welcome then to Andrew Scott, whose incredible performance as the troubled prince as directed by Robert Icke at the Almeida has afforded him a West End transfer, and a fantastic opportunity to bring this masterpiece to a wider audience.

This modern-dress iteration of the tragedy also stars Juliet Stevenson as Gertrude and Jessica Findlay Brown as Ophelia, alongside Scandi-noir inspired design from Hildegard Bechtler.

to thine ownself be true - the story of Hamlet

One of Shakespeare's best-known tragedies, the play is set in Denmark where the title character plans his revenge against the uncle who murdered his father, before usurping the throne for himself and marrying his mother. After a period of self-imposed exile, the dispossessed prince makes his return from the shadows, consumed by grief and a lust for revenge against the man who betrayed him, ready to give everything to get it.

Cast

Andrew Scott as Hamlet
Marty Cruickshank as Player Queen
Jessica Brown Findlay as Ophelia
Calum Finlay as Rosencrantz
Joshua Higgott as Horatio
Daniel Rabin as Reynaldo
David Rintoul as Ghost/Player King
Juliet Stevenson as Gertrude
Luke Thompson as Laertes
Peter Wight as Polonius
Angus Wright as Claudius
Matthew Wynn as Bernardo/Player 3/Priest

Creative

Written by William Shakespeare
Directed by Robert Icke
Design by Hildegard Bechtler

Reviews

Customer reviews

KPC

Amazing and intense compression

A taut, tense and engrossing production with outstanding performances from all of the six cast members. Mark Arends is captivating as Hamlet and plays the role eloquently, finding new meaning and emphasis in the lines . This is high energy, high emotion, physical expressionist theatre of a high order. The intensity always threatens to snap, but it is cleverly paced and contained. There are some unexpected twists, eg , Rosencrantz and Guildenstern are subsumed into Laertes, and the 'play within the play', is given a completely new life.In the intimate space of Trafalgar Studio 2 the audience is pulled into this storm twister of grief, poisoned loves, blood and psychosis. High risk, high octane theatre at its incendiary best, this is Hamlet stripped bare to its internal core. Serious business. ... Read more

Anonymous

Under-powered cast put pressure on His Cumberbatchness

It is disconcerting seeing a Shakespearean drama in the Barbican, where, after all the 'no phones/photos' announcements and signs go out, a high-tech safety curtain opens to reveal an ernormous stage with a fantastic set, ceiling and all. But I was mystified by the costume choices - somewhere between period/comtemporary/billy-the-butler blue coats and a world war II type warm room chic. Somewhere in there were some great ideas that just got lost. And then there was the man of the moment - excellent all round I would say - but you could feel that he had to player striker, centre half, winger and goalkeeper for the team to keep it all moving. Perhaps it was the cavaernous space on stage or just that all eyes were on Hamlet throughout, but it didn't feel like the rest of the cast stepped up to make this the oustanding performance it deserves to be. Shame. On the plus side the audience were incredibly well behaved - not a phone or camera to be seen! More please! ... Read more

londoner

Pretty good

Some outstanding roles, but Hamlet was a bit too much of a pussy and lacked conviction regarding his treatment of Ophelia. That said, this is a tight production well delivered. ... Read more
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