In 1952, Agatha Christie's sprawling and intricate new whodunnit, The Mousetrap (based on her radio play, Three Blind Mice), opened in the West End on a very strict condition; no one was to ever give away the plot of the show. To this day, seventy years later, audiences have abided by the rule, ensuring that whether it is your first or 30th time seeing it, the experience and the discovery of "whodunnit" will come as a surprise!

Celebrating 25 years! Soon-to-be-married Sophie is desperate to find her father to walk her down the aisle; unfortunately, her mother Donna has no idea who it is. After discovering three possible candidates in her mother's diary, she fires off three invitations to the men, who all arrive together on the idyllic Greek island where Sophie and Donna live. When Donna discovers her three old flames are back in her life, she must confront her past and organise the wedding with the help of her outrageous friends! Laughter, sunshine, and of course, ABBA songs galore are in full splendor in this, the ultimate feel-good musical!

In the nearly 40 years since its premiere, Claude Schonberg And Alain Boublil's musical adaptation of Victor Hugo's doorstop of a novel has become the benchmark of musical theatre. An epic score, passionate story, and phenomenal scale are part of the magic, but it's truly the wonder of seeing a live performance that does it the most justice. Seen by an audience that numbers over 70 million, it's safe to say that Les Miserables is the world's most popular musical - and then some.

Cameron Mackintosh brings the mean streets of Victorian London to life in this Olivier-award winning staging of Lionel Bart's theatrical classic, with all-new choreography and direction from Matthew Bourne! Based on Charles Dickens's novel, the story follows young orphan Oliver Twist as he looks for friends and a new family while navigating his way through life in London where danger lurks at every corner. Set to a timeless score that includes standards 'Food, Glorious Food', 'Oliver!', 'Oom-Pah-Pah', 'You've Got to Pick a Pocket or Two', and many more, don't miss this exciting revival as it sweeps into the Gielgud Theatre.

From the creators of The Play That Goes Wrong and The Comedy About a Bank Robbery comes an exhilarating new production that will leave you shaken (not stirred) with laughter! The Comedy About Spies takes place swinging 1960s London, with chaos ensuing when a British double agent swipes the blueprints for a top-secret weapon being developed. Writers Henry Lewis and Henry Shields have redefined modern farce through their brilliant work as part of Mischief Theatre, and this new piece under the direction of Matt Di Carlo (The Play That Goes Wrong off-Broadway, Moulin Rouge) is set to be absolutely no exception.

Ewan McGregor plots a much anticipated West End return as he heads to the Wyndham's Theatre in spring 2025 to star in this brand-new play by Lila Raicek. His first time back on the London stage in 17 years, My Master Builder reunites the Star Wars actor with director Michael Grandage. McGregor enthuses: "It's such a thrill be returning to the stage and to work with Michael again, an actor's director with whom I have had some of my happiest working experiences." Expect something big as My Master Builder (inspired by Henrik Ibsen's classic drama The Master Builder) takes to the stage, beginning performances in April.

Imelda Staunton makes a welcome stage return in 2025, alongside her daughter Bessie Carter (Bridgerton) in George Bernard Shaw's Mrs Warren's Profession. Once banned for three decades under Lord Chamberlin, Shaw intended the play to address prostitution in the era, and to: "draw attention to the truth that prostitution is caused, not by female depravity and male licentiousness, but simply by underpaying, undervaluing and overworking women", as played out when Vivie Warren (Carter) returns home from university to discover her mother Kitty's (Staunton) true profession as a brothel madam.

Andrew Lloyd Webber's renowned musical Evita returns to the West End this summer at the Palladium. Tony Nominee Jamie Lloyd's revival premiered at 2019's Regent's Park Open Air Theatre, stunning audiences with its new and thrilling take on the classic, incorporating modern-day touches, twerking, spray cans, ticker tape, and more. Fabian Aloise's choreography brings a new twist to beloved songs, such as the adored "Don't Cry For Me Argentina", "Another Suitcase in Another Hall" and more, sure to leave you singing and dancing all the way home!