The Tempest

Why see The Tempest?

An otherworldly hit!

Simon Russell Beale is set to reprise his acclaimed role as Prospero when Royal Shakespeare Company's production of The Tempest transfers to the Barbican in 2017. Despite only having been open for a week in November before a London transfer was announced, the Gregory Doran-helmed show has already won critical praise in the press. A joint enterprise between RSC and Intel, the computer company provides state-of-the-art projections to recreate the island wasteland that Prospero rules over. This production also marks the return of Russell Beale to the RSC after a 20-year absence.

The Tempest as you've never seen it before

Telling the story of a wronged, exiled magician who presides over a deserted island, The Tempest explores themes of revenge, forgiveness and love. Prospero, the Duke of Milan, who has been usurped by his brother resides on a remote island, where he considers how he might find a way to restore his daughter, Miranda to her rightful place as heiress to the title. He is determined that he must turn to sorcery when he sees white sails on the island horizon one fateful day, conjuring up a storm so fearsome that the crew are shipwrecked within hours. What follows is a stunning journey of the fantastical for both Miranda, the crew and Prospero himself.

With Intel in charge of the stage-craft, audiences are transported to a mythical world of mystery and magic, with twisted vines masking faces behind, and intricate lighting to give an otherworldly feel to certain characters such as Ariel. A must-see for both fans of the Bard and to newcomers of school-age, this production is a testament to the longevity and lasting relevance of Shakespeare's work and to bringing it to the 21st century.

Key Information

Audience

Suitable for ages 10+

Run Time

Two hours 25 minutes plus one 20-minute interval

Dates

Finished 18 Aug 2017

Cast

Simon Russell Beale as Prospero
Joe Dixon as Caliban
Mark Quartley as Ariel
Miranda Curtis as Miranda

Creative

Directed by Gregory Doran
Produced by Stephen Brimson Lewis

Reviews

Customer reviews

LP

Riding out the Storm

As the serpentine Lord Voldemort, Ralph Fiennes proved he can brandish a wand with malicious intent. Now, as he steps into the shoes of one of the literary grandfathers of nuanced magic, Shakespeare’s Prospero, it’s clear that Fiennes can summon up even greater powers. Headlining Trevor Nunn’s strictly-limited run of The Tempest, he quietly commands the stage- delivering Prospero’s rich monologues with a brilliantly subtle conviction. It’s not an overstated performance, as the character of Prospero tends to be with all its emphasis on magic and vengeance, and I think it works well within Nunn’s somewhat anachronistic approach to the play’s staging. This is a production that relies less on a hi-tech bag of tricks to create illusion than on aerial pulleys upon which acrobatic cast members pivot and fly above the stage- an unusual throwback to an Elizabethan system of wires and winches that is refreshing in our technological age. Yet although Nunn’s play is grounded in tradition, I felt the opening tempest itself was disappointingly unconvincing- as if the sound effect box was at its lowest volume. Given that this is the eponymous tempest, it was not nearly dramatic enough and, in my opinion, a hugely imbalanced spectacle. Quieter moments could have benefitted from a few better-timed violent thunderclaps, whilst the ones that did boom and crash served only to drown out some of the script’s key lines. The projection of moving waves, with the actors acrobatically spinning in tandem behind, seemed a bit flat- imaginative circus acts may be entertaining, but they do not whip up a credible storm. Later, the visionary dogs that hound Stephano, Trinculo and Caliban seemed almost laughable as cast members pounced onstage on all fours-another instance when a bit of CGI wouldn’t have gone amiss. ... Read more

paul Christopher

b+

If you like a muted Prospero then you will enjoy Ralph Fiennes. His performance might work on a movie screen but was a yawn in the Royal Haymarket. At times, I wasn't sure if this was the Tempest or Caliban the musical Ariel was played most cleverly by a trio of talent On the whole this Tempest shouldn't be missed ... Read more
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