Fresh from a hit national tour and a sold-out Fringe run at the Traverse, Consumed arrives in London with all the bite that has made it one of the most exciting new plays of recent years, and worthy winner of the 2022 Womens' Prize for Playwriting. Karis Kelly's debut play, built from personal research into Northern Irish identity and inherited trauma, is a brilliant black comedy channeling the region's trademark dark wit while holding space for tenderness and resolution.

Wladyslaw Szpilman's harrowing yet hopeful 1946 memoir receives its world premiere stage adaptation in London. Adapted and directed by Thom Southerland (Titanic the Musical) and featuring the original compositions of Szpilman, who was hailed as "the Polish Gershwin", Andrew Lloyd-Webber collaborator Simon Lee provides the orchestrations for the production, which features an ensemble of actor-musicians capturing the artistic essence of pre-war Warsaw.

Mixing live theatre, digital media and stories taken from real life interviews, The Talking Drum: Voices from the Andover Estate is a piece of verbatim theatre giving voice to those who society tries to write off. Born from an oral history project for London Metropolitan University by Professor John Gabriel, Dr Alya Khan and Gulser Rose Kaya, the testimonies of over forty residents of an Islington community are adapted for the stage by writer-director Tony Graham. Half a century's worth of authentic local experiences challenge the pervasive media tropes associated with social housing, in this timely theatrical reflection on class.

Michael Fentiman's smash-hit production of Micheal Mac Liammoir's beloved play returns to London with Wilde flair, opening at the Park Theatre this July! Focusing on the extraordinary life of theatrical giant Oscar Wilde, The Importance Of Being Oscar is a true celebration of a singular genius whose sharp wit knew no bounds.

Deafinitely Theatre adapts a searing play by Mike Bartlett for a second time, following the award winning production of Contractions off-West End back in 2017. The groundbreaking company produce theatre accessible for both deaf and hearing audiences, with a bilingual approach using British Sign Language, spoken English and captioning. Directed by the company's Artistic Director, Paula Garfield MBE, this staging of Bull continues that legacy of inclusive excellence, with an unsettling play about workplace power structures which, for some, may be more relatable than you'd like.